"At least six major U.S. magazines have submitted anti-drug articles they have published over the past year to the government's Office of National Drug Control Policy (ONDCP) in an attempt to qualify for thousands of dollars of financial credits under the same federal advertising program that has benefited the television networks, Salon has learned.
Those magazines whose articles have been deemed by the drug czar's office as "on-message" have qualified for the credits, which are awarded in lieu of advertising obligations. Those that failed the test have not.
The drug-control office has made some of the most lucrative ad buys from magazines that maintain an anti-drug editorial environment that it considers hospitable to its messages."
Lewis Lapham, the editor of Harper's, expressed no great shock: "The only surprise here is it hasn't happened sooner. Most consumer magazines a long time ago turned themselves into delivery systems for advertisers."
One of the writers whose story was submitted to the White House drug office for valuation stated, "This is a clear violation of journalistic ethics. It's really egregious."
"This shapes the type of reporting you're doing and what editors are asking for," continued the journalist, who requested anonymity. "If we ever did something like this as a writer — showed a story to a source ahead of publication, say — our career would be finished."
What is indisputable is that the U.S. government is using taxpayer money to, in effect, reward publications whose editorial content matches the government's views on drug control.
Besides the six magazines listed above, 20 others captured $11,935,000 of the drug-control office's ad budget in 1999. These included Essence ($124,000); Ladies' Home Journal ($148,000); Newsweek ($207,000); Reader's Digest ($1,392,000); Teen ($199,000); TV Guide ($232,000); and Vibe ($106,000).
A number of Time Warner publications also participated, including Sports Illustrated ($1,385,000); Time ($1,344,000); People ($743,000); People En Español ($160,000); Life ($111,000); and Family Life ($74,000). To date, Salon has obtained no evidence that any of these publications sought to swap editorial content for drug-czar financial credits.
Overall, the drug office's five-year, roughly billion-dollar ad buy enriched a wide range of media. Television, both local and network, got well over $80 million in fiscal year 1999; radio got more than $10 million; billboards, transit and the like got over $5 million, and in-school efforts got a similar amount. Print, both newspapers and magazines, received some $17 million, with about $10 million of that going to magazines, as detailed above.